Celebrating the women that slay harder than the killers ever could.
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A review of the half-spy thriller, half-workplace comedy/nightmare, Slow Horses, on the advent of its season five finale.
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Reviewing Jordan Peele’s Him, what it means to be the GOAT, and the fine line between sacrifice and brutal obsession.
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A love letter to the messy, magnetic weirdos—and a takedown of Hollywood’s airbrushed idea of love. (Bring back men who trip over curbs, please.)
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I love Sabrina Carpenter; I hate her new album (or rather, what it stands for).
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The legacy and making of a Norwegian teen phenomenon.
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Set in a stylish, retro-futuristic 1960s, The Fantastic Four: First Steps stands as a visually stunning, yet flawed, launch for the iconic team as they confront the cosmic power of Galactus.
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How Superman reminded us what it means to be punk rock—and revived a 25 year old song in the process.
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Haunting, unskippable, and irresistible: why PHANTOM OF THE AFTERS is Kojaque’s best work yet.
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A top-five pick and analysis of Big Thief’s most powerful songs.
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A recap of musician Moses Ideka’s recent show in Tokyo, Japan with a discussion of his musical output and direction.
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A list of amazing albums that may have flown under your radar this year.
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A compilation of some of our favorite fall tracks, from the WVUM family and friends.
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Taylor Ferrarone discusses some of their top indie and alternative music drops of Spring, Summer, and Fall 2024.
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A personal write-in by Makeda Brown detailing all the things she loves about Trinidad and Tobago’s Carnival.
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An interview with the talented, Grammy nominated saxophonist Marcus Strickland on GroundUp Music Festical and his journey as a musician. Strickland also opens up about his experience as a professor of music. Click to read about Strickland, listen to the interview and learn more about GroundUp Music Festival.
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